Thursday, December 31, 2009


Well hello 2010! So nice to see you! :)
Isaiah 43:18-19 (King James Version)
Remember ye not the former things, neither consider the things of old.
Behold, I will do a new thing; now it shall spring forth; shall ye not know it?
I will even make a way in the wilderness, and rivers in the desert.

I found these beautiful vintage postcards at the Digital Gallery of the
New York Public Library

Blue Moon

Blue MoonA "Blue Moon" is the name given to the second full moon in a calendar month. Because there are roughly 29.5 days between full moons, it is unusual for two full moons to "fit" into a 30 or 31 day month (and impossible to fit into a 28 or 29 day month, so February can never have a Blue Moon).
The saying "Once in a Blue Moon" means a rare occurrence, and predates the current astronomical use of the term, which is quite recent. In fact, Blue Moons are not all that rare, on average there will be one Blue Moon every 2.5 years.

The term Blue Moon is believed to have originated in 1883 after the eruption of Krakatoa. The volcano put so much dust in the atmosphere that the Moon actually looked blue in color. This was so unusual that the term "once in a Blue Moon" was coined. However, Blue Moon was also used in much the same way we use the term "Harvest Moon".

There were twelve names for full moons, one for each month, and the name Blue Moon was used in years which had 13 full moons. It referred to the third full moon of the four occuring between an equinox and solstice in that year. A misinterpretation of this led to a Sky and Telescope Magazine "Star Quiz" in July 1943 followed by an article in March 1946 which stated that the second full moon in any calendar month was called a Blue Moon (attributed to the 1937 Maine Farmers' Almanac), and this definition has now become part of the language.

NASA Copyright Notification: Photographs are not protected by copyright unless noted. If not copyrighted, photographs may be reproduced and distributed without further permission from NASA. NASA makes every attempt to use media on our web pages (e.g., graphics, artwork, sounds), that is free for use or in the public domain.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

Best of the ABS - Create a Business Plan

Jennifer shared this post with us last January.  'Tis the season for planning, refocusing and setting goals, so I thought it would be a good one to share again today!

This is the time of year I start thinking about my goal and aspirations for the year. Personally, I am a big list maker and goal follower. I believe you have to know where you're going to get there. If you don't have a business plan, now is the time to make one. If you're thinking, how do I get started, what do I need to know, oh my gosh I just make jewelry to sell every now and then, do I need one of these? Yes you need one and the good news is they are not hard to write.

The best part is, it's your business, so you can make your business plan as complicated or as uncomplicated as you want. So what do you need in this plan? Here we go….

Define what you make and sell. Describe in depth what you make. Maybe you make custom jewelry, or just earrings, maybe children’s jewelry. If you know what you make, then you can stay focused on those products and keep you business heading in a consistent direction. Also make sure you think about your competition. Make sure you are making something different than everyone else.

Marketing: Marketing is how you will sell your work. Will you travel to shows, will you have home parties, will you advertise in magazines? These are all things to think about. Maybe you want to expand where you sell your work or add a few more shows this year. Here’s where you
would want to brainstorm and then refine your plan.

Operations: This is how you work. Is this a part time job where you will devoted ten hours a week or is this a full time job? Based on your hours, you will then need to create goals like three necklaces a day. This way you can work out your production schedule. You'll need to know you have enough time to make everything you will need to sell.

Finances: You will need to make financial goals. Even if this jewelry business is just for fun. You obviously want to succeed so you have to create sales goals and keep track of if you are achieving them. It really is the only way to know if you are charging enough and if you are on
track to meet your goals.

Once you have brainstormed about these categories, you can write a paragraph about each section. At this point you might just have enough to be done. However, it might not hurt to make it official. If down the road you ever want to borrow money to expand your business, your banker will want to see a plan. Another reason to have a written plan, when you're feeling unmotivated or lost you can pull it out and read it. It will immediately remind you what you want to achieve.

For more information, about writing a business plan, you can visit:

Good luck following your goals in 2010!

Written by Jennifer Heynen of Jangles.

Wednesday, December 30, 2009

Jews praying on Williamsburg Bridge, New York City, on New Year's Day

Jews praying on Williamsburg Bridge, New York City, on New Year's DayDigital ID: cph 3b45966 Source: b&w film copy neg. Reproduction Number: LC-USZ62-99960 (b&w film copy neg.) Retrieve uncompressed archival TIFF version (1,703 kilobytes). Unedited JPG Version 47.08 KB

TITLE: [Jews praying on Williamsburg Bridge, New York City, on New Year's Day], CALL NUMBER: LOT 10892 [P&P] REPRODUCTION NUMBER: LC-USZ62-99960 (b&w film copy neg.)

RIGHTS INFORMATION: No known restrictions on publication.
MEDIUM: 1 photographic print. CREATED, PUBLISHED: [1909]. NOTES: Title devised by Library staff. Bridge identified as Williamsburg by I. Wolfman, 2003. George Grantham Bain Collection. LC-B2-2283-16 (bad negative)

FORMAT: Photographic prints 1900-1910. DIGITAL ID: (b&w film copy neg.) cph 3b45966 CONTROL #: 90709368

MARC Record Line 540. No known restrictions on publication.

Best of the ABS - Throw a Bead Soup Party

This post first ran last May, but wouldn't a New Year's Day Bead Soup Party be the perfect way to celebrate the New Year?  Gather together a few beading buddies and make a batch of black eyed peas to serve for lunch!

Here are the basics to throw a little beady soiree of your own:

How to Throw a Bead Soup Party

1. Invite a few of your Beady Friends.

2. Each person needs to bring a strand of beads to share. (You can suggest a color scheme.)

All guest will also need to bring:
focal bead
spacer beads
beading wire
crimp beads
crimping pliers and wire cutters

3. When everyone arrives, dump the strands of beads into a large bowl. Divide the beads up randomly among your group.

4. String a memory necklace or bracelet using your bead soup.

*provide chocolate for best results!

Pictured above is a work in progress that I started at our last Bead Soup party. We went with a silver/grey/purple color scheme. You can use for simple online invitations. Don't have any beady friends? Invite a few gals over and teach them how to string!

Have any ideas for a bead party that you'd like to share? I'd love to hear them.

Tuesday, December 29, 2009

New Year's Eve

<New Year's EveDigital ID: pga 02472 Source: digital file from original print, Reproduction Number: LC-DIG-pga-02472 (digital file from original print) , LC-USZ62-7109 (b&w film copy neg.) , LC-USZC2-1494 (color film copy slide) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. Retrieve Un-edited JPEG version (155 kilobytes)
Additional versions and related images, Digital ID: cph 3a09763 Source: b&w film copy neg. Medium resolution JPEG version (63 kilobytes) Retrieve uncompressed archival TIFF version (1,733 kilobytes). Digital ID: cph 3b49394, Source: color film copy slide. Medium resolution JPEG version (60 kilobytes) Retrieve uncompressed archival TIFF version (5 megabytes)

TITLE: New Year's Eve, CALL NUMBER: PGA - Restein--New Year's Eve (D size) [P&P] REPRODUCTION NUMBER: LC-DIG-pga-02472 (digital file from original print) LC-USZ62-7109 (b&w film copy neg.) LC-USZC2-1494 (color film copy slide)

RIGHTS INFORMATION: No known restrictions on publication. MEDIUM: 1 print. CREATED, PUBLISHED: c1876.

NOTES: G14179 U.S. Copyright Office. This record contains unverified data from PGA shelflist card. Associated name on shelflist card: Restein.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

DIGITAL ID: (digital file from original print) pga 02472 (b&w film copy neg.) cph 3a09763
(color film copy slide) cph 3b49394, CONTROL #: 2003677747

MARC Record Line 540. No known restrictions on publication.


One could easily devote a long and joyful lifetime to cataloging the differences between men and women without ever pausing to consider the higher significance of those differences. That is certainly the safest approach.

But as the astute Goethe noted, "Nothing is harder to take than a succession of fair days," and every once in a while (usually at the end of a year in which one hasn't met his full quota of foolhardy behavior) a person will deliberately risk life and limb by exploring the significance of those differences out loud.

It is in that spirit that I set out today to consider why it is more difficult to draw women's faces than men's faces.

Artists quickly learn that men's faces are easier to draw because men have bone structures and muscle groupings that are more pronounced than women's. Male heads are generally more blocky and angular; they tend to have stronger jaws, square chins and prominent brows. These features provide artists with easy opportunities to employ distinctive lines, strong shadows and recognizable shapes to achieve a resemblance.

From the Famous Artists School course materials, "Constructing the Head and Hands."

Women's faces, on the other hand, tend to be smoother and softer, with rounder shapes and subtler, more delicate features which require greater restraint.

Another difference that makes men's faces easier to draw is that, "as the man matures he develops larger, deeper wrinkles while the woman develops smaller ones because her skin is finer textured and her bones and muscles are less prominent." If an artist wants to capture a likeness using lines, it is much easier if the subject has lines that were already mapped by nature.

Note in the following examples how men's sharper angles, prominent facial muscles and deeper wrinkles have provided artists with more tools for describing a form.

Here, Mort Drucker sculpts the male face, but on the woman's face he stops with just the outline. Her features can't be rendered effectively using the same kind of approach, and must be implied instead.

Here, Leonard Starr puts a strong chin, nose, cheekbones and brow on the man (while making it clear from facial expressions that the woman has the stronger mind).

Here, Norman Lindsay tries to deal with the difference between men and women by using small dots to convey the woman's features, while using lines for the man.

The special challenge of a woman's face is that it compels artists to describe subtler forms with fewer lines and less obvious shapes, depriving artists of some of the most fundamental tools in their tool kit. In the following image, Leonard Starr limits himself to little more than an outline of the face but nevertheless gives us important information about the contour of her cheek simply by leaning more heavily on his brush on portions of the right side of her face.

So what is the larger significance of these observations about the differences in drawing the faces of men and women?

Part of the magical power of drawing is that it can lead us unexpectedly to larger truths. The principles we encounter in drawing the faces of men and women often seem rooted in fundamental realities about the sexes:

Like their faces, men's personalities are more easily reduced to a line than women's personalities. Like their facial features, men tend to be more obvious than women. (Artists frequently bear witness to such triumphs of physiognomy!)

Women, on the other hand, are sometimes best understood implicitly and indirectly; the discipline of describing form without heavy reliance on lines requires subtlety, appreciation and restraint but you can sometimes achieve a far better likeness that way.

Regardless of whether these larger principles resonate with you, I am sure we can all agree that if an artist lacks the patience for the complexity of ambiguity, you can't compensate for that lack by substituting more (or more emphatic) lines of the type that you use for a man's face. In such situations, "more" will invariably turn out to be "less."

Best of the ABS - Transforming Inspiration into Design

This post first appeared last January in response to our challenge themes for 2009, which were all from art history. I shared some thoughts on my creative process of transforming a painting into a jewelry design.
Inspired by the movement of the brushstrokes, I want to create a design with movement and texture. I would use lampwork disks by Blue Seraphim in the colors of the painting, wire-wrapped with silver to show off their swirls. To emphasis the feeling of a garden, I'd pair them with leafy green freshwater pearls. To finish the design I'd return to the theme of abundant texture and use one of Mamacita Beadworks floral inspired buttons as a clasp.

Zoom in on a detail of a painting for unexpected results. Not every design inspired by Van Gogh's Irises need to have irises, blue or purple! By taking a corner of the painting that you find visual appealing, you can come up with a striking design that is a little off the beaten path. For this necklace I focused on the upper right corner of Van Gogh's painting to explore a design using those lush greens and sunny yellows. For this design I'd use a ceramic pendant and connectors in green from Chinook Jewelry. I'd connect them together with hammered silver links from Prolifique. On each link I'd add dangles of yellow crystals that remind me of the flowers in the painting.

While it's not necessary to take a literal approach to interpreting a masterpiece into a jewelry, you may find just the right bead for such a design. Lampwork artist Hannah Rachel offers sculpted iris beads that are made to order. Could there be a more perfect bead for this challenge? I'd make a tassel of pearls, crystals and stones in greens to create the "stem" of the iris. To carry on with the bold and organic theme I'd use peacock stick pearls mixed with silver beads. A handcrafted clasp from Cathy Dailey's shop would compliment the shape of the pearls and the earthy feel of the design.

Monday, December 28, 2009

15 Water Splash Brushes for Adobe Illustrator

Here we have a set of ten scatter and five art water splash brushes for Adobe Illustrator from r2010. You can use them for decorating your artwork or designing abstract background elements...

To use expand the ZIP archive, load the .AI file in Adobe Illustrator and open the brushes palette (Window>Brushes / F5). Download

This work is licensed under a Creative Commons Attribution 3.0 License.

Now you have new brushes for your web design, it's time to look for web hosting plans that will fit your budget.

The Logo Design Process. Layers Magazine Tutorial

In this tutorial Jacob Cass takes us through the different stages of the logo design process: researching, composing a design brief, sketching, reflecting, developing, color brainstorming and presentation...

"Logo design in today’s world is totally underrated. People don’t understand how important a good logo is and how valuable it is to their business. Let me guide you through the basics of what makes a good logo, while also walking you through the process of creating the identity and logo design for one of my recent clients, Vero, a limited liability company based in Miami, Florida. Hopefully, this will give you an understanding of what actually goes on behind the scenes while creating a professionally designed logo..." Proceed to tutorial page

Classical Egypt

Atlas of Egyptian Art

Histoire de l'art égyptien by Prisse D'Avennes, 1878 b

Stylised bouquets painted in tombs during the 19th and 20th Dynasties.

[nb. Wiki: map and history of ancient Egypt]

Histoire de l'art égyptien by Prisse D'Avennes, 1878 l

Return from the Hunt - from a painting at the Theban Necropolis (17th Dynasty)

Histoire de l'art égyptien by Prisse D'Avennes, 1878 m

Counting the oxen - drawing of a bas-relief found in the tomb of Chamhati,
the superintendent of the royal domains during the 18th dynasty

Histoire de l'art égyptien by Prisse D'Avennes, 1878 n

?Perfume containers and grooming utensils

Histoire de l'art égyptien by Prisse D'Avennes, 1878 o

Profile portraits drawn from bas-relief figures at the Necropolis of Thebes.

Histoire de l'art égyptien by Prisse D'Avennes, 1878 a

Necklaces, bangles, rings and jewellery segments from various periods

Histoire de l'art égyptien by Prisse D'Avennes, 1878 i

A hunter returns to his barge - from a 12th Dynasty tomb painting
(2100-1900BC) at the cemetery of Beni Hasan*

Histoire de l'art égyptien by Prisse D'Avennes, 1878 e

A native from the fabled and mysterious Land Of Punt carries goods on an ass
- from a painting found in the ?valley of El-Assacif at Thebes

Histoire de l'art égyptien by Prisse D'Avennes, 1878 c

By the banks of the Orontes river, King Ramses II (Ramses-Meiamoun or Ozymandius* or Ramesses the Great, the third ruler of the XIXth dynasty and considered the most powerful Pharaoh of all) battles the Hittites (Khetas) from his chariot. Although not stated, this illustration presumably derives from a sculpture or bas-relief at the Ramesses II temple at Abu Simbel in Nubia.

Histoire de l'art égyptien by Prisse D'Avennes, 1878 d

The Prince's chariot - from a sculpture at el-Amarna [Akhetaten] (300km south of Cairo)*; "..established and built by the Pharaoh Akhenaten of the late Eighteenth Dynasty (c. 1353 BC), and abandoned shortly afterwards.."

Histoire de l'art égyptien by Prisse D'Avennes, 1878 f

Sketch (of a sketch) of ?purification ritual foreigners prostrating before the Pharaoh from the Necropolis at Thebes

Histoire de l'art égyptien by Prisse D'Avennes, 1878 g

Sketch of Seti I, father of Ramses II from the Necropolis at Thebes

Histoire de l'art égyptien by Prisse D'Avennes, 1878 h

Satirical anthropomorphic 'cartoons' from an ancient Egyptian papyrus manuscript

Histoire de l'art égyptien by Prisse D'Avennes, 1878 j

Flowers and plants derived from various monuments
[I've posted parts of a similar image before]

Histoire de l'art égyptien by Prisse D'Avennes, 1878

Painted wooden spoons and perfume vessels featuring
female figures of contrasting ethnicities or rank (or both)

Histoire de l'art égyptien by Prisse D'Avennes, 1878 k

Portrait of Queen Nebto, daughter of Ramesses II (19th dynasty)

Histoire de l'art égyptien by Prisse D'Avennes, 1878 p

Weighing and judgement of the soul during
a funerary ritual at the court of Osiris (18th dynasty)

[click through for full-sized versions;
all these chromolithographs were cropped from full-page illustrations]

Émile Prisse d'Avesnes (d'Avennes) (1807-1879) was an important mid-19th century French Egyptologist and something of a polymath. He was a soldier, engineer, writer, illustrator and talented linguist.

From 1827 to 1844 d'Avesnes resided in Egypt, teaching cartography and working as an engineer for a time, but eventually he devoted himself to documenting and studying the archaeological treasures from ancient Egypt. He became proficient in hieroglyphs, on the back of Champollion's translations of the Rosetta Stone, and learned to speak at least half a dozen languages fluently during his expeditions around Egypt and further afield in the Arab world.

Ransacking of the artefacts was rife in those days of course and d'Avesnes helped excavate and transfer a large shipment of portrait reliefs from the Valley of the Kings to France, ostensibly to prevent their theft and use as local building material. The brazen act would earn d'Avesnes the Legion of Honour award when he returned to his homeland.

He published a number of Egypt-centric works in the decade following his return to France and eventually set about obtaining support for a further expedition which was undertaken from 1858 to 1860. On this occasion he was accompanied by a photographer (the photographs are now located in the French National Library).
"When he returned to Paris in I860; Prisse brought 300 folio drawings of paintings of various epochs, each up to seven or eight meters (23 to-26 feet) long; 400 meters (1300 feet) of paper impressions of bas-reliefs; 150 photographs of architectural and ornamental details, plans,sections and elevations; and 150 stereoscopic photographs, together with his enormous collection of drawing and notes. He also brought back, and later donated to the Louvre, the skulls of 29 mummies which he had identified by era, position and individual name." [source]

The most important of d'Avesnes' publications -- the subject of this post -- was released in installments over ten years and eventually compiled into a three volume work (one text and two illustrated atlases) in 1878 entitled: 'Histoire de l'Art Égyptien: d'après les Monuments; Depuis les Temps les Plus Reculés Jusqu'à la Domination Romaine' (~The history of Egyptian art from monuments from the earliest times up to Roman occupation).

Designer of the Week - Lori Anderson

Each Monday we feature the Designer of the Week. One of our editors pick their favorite from the Monthly Challenge entries. 

This week I picked Lori Anderson's Castelo bracelet. "The raku beads are great compliment to the colors and abstract quality in this month's challenge painting.  I like the play of the shimmer of the pearls with the bright pop of red from the glass, it's a lovely study in texture and color! The clasp is also a nice final touch with a nod to the graphic quality of the inspiration." To see more of Lori's work visit her blog.

You still have a few days left to enter this month's drawing.  The prizes are amazing and your odds are pretty good! 

The inspiration for December is an Untitled painting by Lee Krasner. Read about the challenge details here and check out the prizes from Cindy Gimbrone, Mary Harding and Marsha Neal here.

Sunday, December 27, 2009

January The book of Days

January The book of DaysTitle: The book of days: a miscellany of popular antiquities in connection with the calendar, including anecdote, biography, - history, curiosities of literature and oddities of human life and character, Volume 1.

The Book of Days: A Miscellany of Popular Antiquities in Connection with the Calendar, Including Anecdote, Biography, - History, Curiosities of Literature and Oddities of Human Life and Character, Robert Chambers.
Author: Robert Chambers. Publisher: W. & R. Chambers, 1878, Original from: the University of California. Digitized: Sep 1, 2009

This image is in the public domain in the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.

and also in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Robert Chambers (10 July 1802 – 17 March 1871) and that most commonly run for a period of 50 to 70 years from December 31st of that year.

"Came old January wrapped well

In many weeds to keep the cold away

Yet did he quake and quiver like to quell,

And blowe his nayles to warm them if he may ;

For they were numbed with holding all the day

An hatchet keene, with which he felled wood,

And from the trees did lop the needlesse spray ;

Upon an huge great Earth-pot Steane he stood,

From whose wide mouth there flowed forth the Romane flood."


Sundays with Cindy

Good morning, Beady Readers! Wondering what's going on in the bead and jewelry world? Take a peek at our links and see.....

A Bead A Day
There is still plenty of time to make some New Year's Eve jewelry! Lisa shares an eye catching bracelet using velvety hearts and chandelier-like egyptian crystals. Jewelry Making
Yellow facted CZ fan pendants become gorgeous earrings with just a little chain.

Art Bead Scene
It's the ABS annual 12 days of Christmas free projects. Twelve days of last minute holiday gifts!

Barbe Saint John - New Jewelry from Forgotten Artifacts
Eco-Friendly Gift Wrap.

Beading Arts
Sweet, simple, and silly! Make a barrette that will delight a young girl in your life.

Carmi's Art/Life World
Carmi makes huge resin baubles from an ice tray.

Cindy Gimbrone aka Lampwork Diva
Cindy shares her favorite things this week. You might be surprised to find out what they are!

Earthenwood Studio Chronicles
Melanie makes a chunky, funky necklace with some unusual wooden chain and findings

Jean Campbell
Jean shares a free sparkly necklace project, just in time to whip up for your New Year's Evening wear

Lorelei's Blog: Inside the Studio
Lorelei goes back in time to remind fellow Etsy sellers about Heart-o-Matic!

Snap out of it, Jean! There's beading to be done!
Jean offers a project called Supercool which features a great focal by Dustin Tabor!

Strands of Beads
Melissa shares some whimsical lampwork artistry by Debi Cogwell.

The Writing and Art of Andrew Thornton
Using a drilled resin piece from Lynn Davis and some filigree, Andrew creates a necklace paying homage to the faeryworld sanctuaries.

Saturday, December 26, 2009

Studio Saturday - Baby It's Cold Outside!

Welcome to Studio Saturday! Each week one of our contributors gives you a sneak peek into their studio, creative process or inspirations. We ask a related question of our readers and hope you'll leave comments! As an incentive we offer a free prize each week to bribe you to use that keyboard. The following week we choose a random winner.

This week's winner is Alice Howe. Congratulations!  You have won a set of ladybug buttons from Creative Impressions in Clay. Send Tari an e-mail with your address and she will get it right out to you.

Welcome to the Humblebeads' Studio.  Christmas was so much fun, but it's not over yet!  We like to extend the celebration through the New Year.  We relax.  How often does that really happen?  You know, we turn off the phone and computer.  Pull out the board games or craft projects.  Give the kids our undivided attention.  Watch our favorite holiday movies, which for my weird family includes an annual screening of Die Hard.  Yippie Kay-Ah!  The kids are home for the week and enjoy an unrushed pace that is welcomed after the craziness of getting ready for the holidays.  I'll tell you this has always helped with those post-Christmas blues.  We enjoy this time like we are all on vacation.  Even if I do get up and work before anyone else is out of bed, they will never know!

I whipped these up last week, a few designs inspired by projects in 101 Wire Earrings by Denise Peck.

They remind me of icicles.  Wouldn't they look great for New Year's Eve? 

Which brings me to my question of the week.  What do you do to ring in the New Year?  We spend a quiet evening with our dearest friends, sharing drinks and a beautiful meal.  At midnight fireworks are let loose in the neighborhood.

One comment will be randomly drawn as the winner next week, the prize - a set of my branch disk beads.

Friday, December 25, 2009

Merry Christmas!

Christmas Eve table setting
Wishing you much joy on this very Special day!
“For to us a child is born, to us a son is given, and the government will be on his shoulders. And he will be called Wonderful Counselor, Mighty God, Everlasting Father, Prince of Peace.”- Isaiah 9:6

Happy Holidays

Happy HolidaysHappy Holidays. Wishing all the happiest of holidays, members of the Cassini-Huygens team offer their views of Saturn and its moons as gifts to the universe. Cassini-Huygens, a cooperative project of NASA, the European Space Agency and the Italian Space Agency, is a mission that is managed by the Jet Propulsion Laboratory,
a division of the California Institute of Technology in Pasadena, for NASA. The Cassini orbiter (pictured at the bottom of this image) and its two onboard cameras were designed, developed and assembled at JPL. The imaging operations center is based at the Space Science Institute in Boulder, Colo.

Image Credit: NASA/JPL, NASA Copyright Notification: Photographs are not protected by copyright unless noted. If not copyrighted, photographs may be reproduced and distributed without further permission from NASA.NASA makes every attempt to use media on our web pages (e.g., graphics, artwork, sounds), that is free for use or in the public domain.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

A Merry Wish

I want to thank the designers and beadmakers that help make the Art Bead Scene a creative and vibrant community.  I've enjoyed another fun year playing along with the monthly challenges, being inspired by your jewelry and beads and hearing from you everyday!

The Art Bead Scene editors are going to take a much needed break until the new year. 
In the meantime join us over the next few days for our favorite Best of the ABS posts from 2009.

I wish you all health, happiness, creativity and an abundance of beads for 2010.

Enjoy a peaceful and meaningful celebration with your family and loved ones this holiday season.

Thursday, December 24, 2009